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            <title><![CDATA[Death and Music Final Project]]></title>
            <link>http://claremontconversation.org/tcourse/group5/page/Death+and+Music+Final+Project</link>
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            <pubDate>Nov 28, 2006 - 11:25am</pubDate>
            <description><![CDATA[<h1 style="margin:0in 0in 0pt"><font face="Times New Roman"  size="3">Battle Hymn of the Republic: The relationship between Music and War</font></h1><font face="Times New Roman"  size="3">&nbsp;</font><font face="Times New Roman"  size="3">&nbsp;</font><font face="Times New Roman"  size="3">&nbsp;</font><font face="Times New Roman"  size="3">&nbsp;</font> <p style="margin:0in 0in 0pt; line-height: 200%"  class="MsoNormal"><font size="3"><font face="Times New Roman"><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Johnny Cash once said that &ldquo;the only good thing that ever came out of a war was a song.&rdquo;</font></font><a name="_ftnref1"  href="http://localhost/dev/elgg/#_ftn1"><span class="MsoFootnoteReference"><span><span class="MsoFootnoteReference"><span style="font-size: 12pt; font-family: &#39;Times New Roman&#39;">[1]</span></span></span></span></a><font size="3"><font face="Times New Roman"> Although Cash&rsquo;s comment was centered on the ongoing Vietnam War at the time, his quote underscores the relationship between music and war.<span>&nbsp; </span>Since the American Revolution and the War of 1812, patriotic songs such as &ldquo;Yankee Doodle&rdquo; and &ldquo;the Star-Spangled Banner&rdquo; became the symbolic tunes of a growing and developing nation. In recent years, with the current Iraq War, music has been a prominent instrument in expressing either patriotism, nationalism, and of course criticism.<span>&nbsp; </span>This is evident with the controversy surrounding the Dixie Chicks&rsquo; political comments, which has spurred negative responses from the general public.<span>&nbsp; </span>Many believe that the musicians were not patriotic and were not giving the proper moral support to the American soldiers fighting overseas.<span>&nbsp; </span>This is quite different from the events that took place nearly forty years ago, during the height of the Vietnam War, in which the anti-war movement challenged the government&rsquo;s political and military policy through music and poetry.<span>&nbsp; </span>This essay will review a select group of songs dating back to the Civil War and up to the Vietnam War to underscore the relationship between music and war.<span>&nbsp; </span></font></font></p><div><br /><font face="Times New Roman"  size="3"><hr width="33%"  size="1" /></font><div id="ftn1"><p style="margin:0in 0in 0pt"  class="MsoFootnoteText"><a name="_ftn1"  href="http://localhost/dev/elgg/#_ftnref1"><span class="MsoFootnoteReference"><span><span class="MsoFootnoteReference"><span style="font-size: 10pt; font-family: &#39;Times New Roman&#39;">[1]</span></span></span></span></a><font face="Times New Roman"  size="2"> James Perone, <em>Songs of the Vietnam Conflict</em> (Westport, Conn.: Greenwood Press, 2001), vii.</font></p></div></div>]]></description>
            <dc:creator><![CDATA[John Macias]]></dc:creator>
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            <title><![CDATA[Mid-Term Grade]]></title>
            <link>http://conversation.cgu.edu/group5/weblog/1017.html</link>
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            <pubDate>Nov 2, 2006 - 1:33am</pubDate>
            <description><![CDATA[Group 5 received an A for your mid-term.&nbsp; Good work!]]></description>
            <dc:creator><![CDATA[Tom Morgan]]></dc:creator>
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            <title><![CDATA[Proposal Comments]]></title>
            <link>http://conversation.cgu.edu/group5/weblog/594.html</link>
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            <pubDate>Oct 2, 2006 - 7:12pm</pubDate>
            <description><![CDATA[<p>Hello,</p><p>You may have noticed I added an image of&nbsp;Metallica&#39;s logo combined with a similar logo for Mozart&nbsp;as your group icon.&nbsp; If you want to change your icon at any time, just e-mail me an image.</p><p>&nbsp;I looked at your proposal and have some comments:</p><p>* In the second paragraph of the Purpose Section you talk of &quot;cross-disciplinarity,&quot; but I would stick with transdiciplinarity.&nbsp; The first implies a simple sharing whereas the latter implies that the paradigm of study is changed for all participants.</p><p>* $1,400 seems high for catering.&nbsp; Is this a quote or an estimate?&nbsp; Can you itemize it more thoroughly?</p><p>* Where do you plan to get the other funds from if you only get $1,500 from the Provost?&nbsp; You might work this into your planning timeline.&nbsp; Are you collecting a cover fee from participants?&nbsp; How much for each person...academic specials?</p><p>* Lecturers sometimes cost in the thousands or sometimes waive their fee, but $150 for an honorarium seems a bit odd to me.&nbsp; I&#39;d cut it entirely or make it more substantial.</p><p>* Don&#39;t forget to list a budget total!</p><p>* Your CVs, as a few of you noted, are missing.&nbsp; You don&#39;t need to&nbsp;e-mail them&nbsp;to me, but certainly include them in your packet for the grant this week and try to print out copies for me for the next class.</p><p>** Other than these points, the keynote speaker&nbsp;CV and the rest of the project looks just fine.&nbsp; Feel free to e-mail me at <a href="mailto:thisstarvingwriter@yahoo.com">thisstarvingwriter@yahoo.com</a> if you have further questions.&nbsp; Take care and I will see you in class.</p><p>~ Tom Morgan</p>]]></description>
            <dc:creator><![CDATA[Tom Morgan]]></dc:creator>
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            <title><![CDATA[Re: the point]]></title>
            <link>http://conversation.cgu.edu/group5/weblog/379.html</link>
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            <pubDate>Sep 22, 2006 - 10:30am</pubDate>
            <description><![CDATA[<p>Please, everyone else chime in here too, but as I see it, we are organizing a conference that will allow scholars in all kinds of disciplines to discourse about the links between music and death.&nbsp; We ourselves will not necessarily be deciding the specific information that will be provided, but rather will have put out a call for papers and have the conference broken down into broad categories for sessions, like &quot;Art music through history&quot; or &quot;Death and the contemporary music scene&quot; or perhaps &quot;Music, death, and war,&quot; etc.&nbsp; This will differ from a course in that we will not be designing an specific curriculum, but rather we are structuring a kind of forum for people to share research on these topics. Our direction will lie in our choices as&nbsp;far as&nbsp;what papers to accept, and&nbsp;which keynote speakers we choose relating to the issues we want addressed in particular.</p><p>Does that help - did I answer your qustion at all?</p>]]></description>
            <dc:creator><![CDATA[Charla Camastro]]></dc:creator>
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