<?xml-stylesheet type="text/xsl" href="http://claremontconversation.org/tcourse/victoria/rss/rssstyles.xsl"?>
<rss version='2.0'   xmlns:dc='http://purl.org/dc/elements/1.1/'>
    <channel xml:base='http://claremontconversation.org/tcourse/victoria/'>
        <title><![CDATA[Victoria Bryan : Activity]]></title>
        <description><![CDATA[Activity for Victoria Bryan, hosted on Claremont Graduate University Online Social Learning.]]></description>
        <generator>Elgg</generator>
        <link>http://claremontconversation.org/tcourse/victoria/</link>        
        <item>
            <title><![CDATA[am I where I have lived]]></title>
            <link>http://claremontconversation.org/tcourse/victoria/weblog/63.html</link>
            <guid isPermaLink="true">http://claremontconversation.org/tcourse/victoria/weblog/63.html</guid>
            <pubDate>Sun, 03 Sep 2006 23:53:35 GMT</pubDate>
            <description><![CDATA[<p>Born in London&nbsp;in the flight path of&nbsp;Heathrow airport which was, perhaps, no coincidence.&nbsp; After 7 years of night school, my father qualified in a profession that allowed him to take a job overseas and we moved to Hong Kong, where I lived from the ages of 7-11.&nbsp; Then back to England to boarding school from which I extricated myself at 15 by testing out so I could go with my family to live in Iran&nbsp;where my father&nbsp;had found another overseas&nbsp;job, this time working with an engineering firm.&nbsp; From 16-18 and 21-25, worked full time acting, writing, etc. on ESL programs on Educational Television in Tehran, part of Iran&#39;s plan to make everyone bilingual so more young Iranians could go abroad to study, thereby strengthening the emerging middle class.&nbsp; 18-20 studied technical theatre at The Royal Academy of Dramatic Art,&nbsp; London. 21-22 worked as head of the Prop Department at The Abbey, National Theatre of Ireland, Dublin.&nbsp; Traveled back out to Iran via an 8 day train trip and only left that country in 1977&nbsp;because the incipient Revolution made its presence clear with gun battles in the streets of Tehran.</p><p>After a year of living nomadically, traveling mostly by train and boat through South Asia, Europe, and North America, settled in SoCal to start a theatre company - a peripatetic one with no home of its own.&nbsp; All programs take place out in schools and community organizations such as shelters, recovery programs, hospitals, prisons, and senior centers.</p><p>Although still in SoCal, it felt like a move to a new country to leave the world of non-profit arts&nbsp;management (and much of my identity)&nbsp;after 23 years of developing the theatre company, and then climb into academia to work on my&nbsp;MA in Art History.</p><p>And how has that influenced who I am?&nbsp; I can&#39;t say that I belong to any one tribe and I find myself suspicious of those who do.&nbsp; I am deeply attached to friends and family although I don&#39;t always know what&nbsp;some of them&nbsp;look like any more.&nbsp; I tend to stand on the outside and observe before jumping in, although I work to interact differently in groups so that the observer becomes only one&nbsp;of the roles I might choose.&nbsp; There are few things that make me happier than setting off on a&nbsp; journey.&nbsp; By putting myself in the way of exercises like this, I try to take stock of past experiences to plot the journey of the next few years.&nbsp; I wonder where I will live in the future.</p>]]></description>
        </item>
        
    </channel>
</rss>