Apparently I posted this in the wrone place originally! Sorry!
Using Jazz as a Vehicle for Self Discovery - Jeremy, Alex, Jill
I was very interested in the hands-on approach of this group. Their idea to gather high school students of varying levels of musical experience and talent, and to actually meet with these students, inspire them with students, while, at the same time learning from the students who will also serve as a focus group.
But at the same time, the group is not afraid to move beyond the hands on interaction with students, but also astutely uses the identity theory of Judith Butler who, according to the group, “begins with the idea that identity is culturally constructed”; as well as Erikson’s theories of late adolescent psychological development, and Marcia’s four statuses of adolescence. Particularly the identity aspect of the group’s project feels directly inspired by the autobiographies that became such a major focus of this course. And yet, the group never lost sight of the students they hope to inspire and learn from, quickly moving back again from theory to Jazz performance, which the students will be engaging in, as formation (I assume of talent as well as of identity, but this wasn’t entirely clear to me).
The group also looked at “Performance, Identity and Gender.” Here they did an excellent job of drawing on previous studies on the percentage of female students in high school bands versus high school jazz ensembles. As part of their project they plan to encourage male and female gender equality in jazz.
Jazzwomen: Gender and Representation - Sharone, Michelle, Fanny, Karen Beth
“African American jazzwomen in images, documentary film footage, and radio broadcast produced by the government.”
This group’s questions about government-sites, gender, and commodification of women involved in the jazz world is interesting in its transdiciplinary collaboration, which emphasizes a realistic approach to a subject which, though it has broached academia, is primarily explored in the world outside of academia, as Sharone pointed out.
Karen Beth discussed the idea of women in Jazz as adornment and sexual objects rather than as musicians. I wonder where those female singers who were obese fit in to this equation. It seems that, at least some of the time, women (those who are not particularly sexually appealing) were included in jazz groups for their singing talents alone.
Fanny’s look at all female jazz bands was very surprising to me. I had no idea that there were “close to a hundred” female jazz bands. I particularly enjoyed the youtube video of the International Sweethearts of Rhythm from 1946. I was struck by how strange the scene looked, particularly the female band leader, which is something that is still relatively rare today.
Experience Jazz in the Middle School Language Arts Classroom – Jukyung, Gene, Katheryne, Karen, Melissa
Goals of Achievement, Engagement, Self-Expression, Acceptance/Respect of Diversity
With this group I was again impressed and excited by the focus on real world, hands on engagement with students. The group obviously came from a place of classroom experience, but also had the wherewithal to see potential beyond what has classically been experienced in classrooms, and instead combining typical instruction with one class period of musical instruction. Something that was different from the first educationally-based group we heard from was this group’s use of control groups which would not have the musical instruction.
I was very intrigued by the combination of musical training with the use of journals. In my own writing classrooms I have certainly found that having a theme or focus in writing prompts makes a big difference. This semester, for instance, my classes are focused on nature and environmentalism. I love the idea of focusing a writing class, even a non-creative writing class, on the idea of creativity. I found Katheryne’s sample prompts particularly interesting.